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Jazz-Workshop (in englisch) mit Sängerin/Komponistin Chris McNulty aus NYC

am 26. August 2012 in Münster

Full Day Vocal Immersion Workshop presented by NYC based, internationally acclaimed
vocalist-composer Chris McNulty

  

  Wann: So, 26.08.12, 12-17h

  Wo: Westfälische Schule für Musik (Himmelreichallee 50, Münster)

  Kosten: 100 Euro

  Kontakt/Anmeldung: Miriam.Koepke@gmx.de, 0179-9201997

 

  Mo, 27.08.12 singt Chris McNulty dann im Hot Jazz Club in Münster!

 

  https://www.facebook.com/events/263228207122804/

 

INHALTE DES WORKSHOPS:

MORNING SESSION - 12 MIDDAY - 2 PM:  

FREE IMPROVISATION IN ACAPELA GROUP SETTNG

Singers develop skills in leading, listening, harmony, pitch, improvisation and rhythm, through completing a  series of exercises which are freely improvised in an Acapella Group Setting.

(These exercises were developed by vocalist-performance artist,  Rhiannon Watson or have been modified, expounded upon in acapella improv development workshops led and hosted by vocalist-music therapist, Kate Richard Gellar at her Soho loft "Sing For Yourself" series.

•    ORCHESTRA (using group of 7): 

•    SHAPE SHIFTING (medium to large):

•    CIRCLE SONG (medium to large group - up to 20):

•    THREE FACED FRONT (using 3 singers only):

•    TRAVELING TRIO A (using group of 6 or more) TRAVELING TRIO B

•    TRADING (using group of 6 or more):

•    CREATING IMPROVISED ENSEMBLE PIECE TO SOLO OVER - Teacher leader conducted (using a group of 12 or more):  Groups are divided into groups of 3, 4 or 5 (dependent on # of participants)

•    LANGUAGES  and CARD GAMES

AFTERNOON SESSION - 3 PM - 5 PM:

 "PREPARATION AND BEING READY"

APPROACHING THE PERFORMANCE
BEPORE THE GIG, CHOOSING THE RIGHT MUSICIANS
BODY, MINDFULNESS & SPIRIT
THE IMPORTANCE OF BREATH - BREATHING YOURSELF INTO THE PERFORMANCE
OPENING THE SELF - OPENING THE VOICE

These are ideas Chris has developed specifically for the "vocalist as band leader" and the art of giving a dynamic and powerful performance. 

Depending on the the general level of the students, Chris will choose specific exercises to work through.  There will be a specific time set aside for students to perform and have their work critiqued.

VOCALIST as COMPLETE MUSICIAN 

These are mainly piano based exercises (for non-playing and playing vocalists) - integrating theory, ear training and improvisation.

We will be working with a "smart board" using exercises created in Sibelius. Students will also be given handouts in PDF format. Chris will take students through a series of exercises, internalizing the methodology, then moving to chord changes and then onto singing over tunes.

•    CHORD- SCALE STRUCTURES - INTEGRATING MELODIC, HARMONIC, DIMINISHED and         PENTATONIC SCALES WITH CHORD USAGE
•    TETRACHORDS  - INTEGRATING THE USE OF TETRACHORDS TO REINFORCE SCALE MEMORY & IMPROVE IMPROVISATION SKILLS
•    PARALLEL AND DERIVATIVE USE OF SCALES
•    DOMINANT 7 CHORD QUALITIES AND SCALE USAGE: ALTERED, DIMINISHED (1/2 WHOLE) etc.,
•    THE BE BOP SCALE
•    PENTATONIC SCALE USES - USING CHORD PROGRESSIONS from CHRIS'  "NEW DAY"
•    COMMON TONES - CHORD RELATIONSHIPS - (eg 1/2 Diminished & Maj 7, #11 Chords)
•    TURN AROUNDS:  SHORT and LONG TAGS

 

Labels
Workshop Singer Jazz Chris McNulty New York Münster
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